Welcome to Mortigi Tempo - Radiohead MSG Board Register now to gain. Serial Number Change Android. Identikit, Big Boots, Lift, Cut a Hole, etc. I could rip 'em from Youtube but I figure there are higher-quality versions floating around out there. Back to top; Report. Fake Plastic Trees (Eve's Club Acoustic). Bullet Proof. Ulož.to is the largest czech cloud storage. Upload, share, search and download for free. Credit allows you to download with unlimited speed. Byrne promptly sent it to the B-52s' manager who offered to represent them internationally. Discography 1979 Copy/Robot (45) 1979 Welcome Plastics (LP) 1980 Origato Plastico (LP) 1980 Welcome Back (US Released as 'Plastics') 1980 All Across the USA 80 Live 1988 Forever Plastico (CD) Enjoy!!!

Fibonaccis rose out of the early-'80s punk scene in Los Angeles, CA. Drawing from a wide range of influences including film scores, circus music, as well as an interest in bizarre pop culture in general, the band took their name after Leonardo Fibonacci, the 14th century Italian mathematician. The group's first lineup consisted of Magie Song (vocals, percussion), John Dentino (keyboards), Joe Berardi (drums, percussion), and Ron Stringer (guitar, bass). Fibonaccis' first record, fi'-bo-na'-chez, was released in 1982 on the Index label.

Mixing their many influences, the band emerged with intelligent keyboard passages, over-the-top vocals, and surf-influenced guitar work. With a rising reputation as a live band, the group performed bizarre versions of 'Purple Haze' and the theme from the film Psycho in their sets. In 1983, the band released the EP Slow Beautiful Sex with new member Tom Corey (bass, mandolin, vocals). Though they continued to appear live occasionally, they did not release any new material until 1986. By this point, Stringer had left the group and was replaced by Corey.

The band wrote the soundtrack to the cult horror/comedy film TerrorVision, and had high hopes, but the film and the soundtrack did not do as well as was hoped. The group then returned to the studio to record Civilization and Its Discotheques (1987), which was a frustrating process, and the band broke up afterwards.

It took the band four years to properly follow up their Tumor EP, thanks to their ill-fated TerrorVision soundtrack and various troubles within the band. Ultimately, the album seems to have killed them. My Disney Kitchen Pc Crackdown there. It’s not the masterpiece that one would hope for; for whatever reason, several of their best songs never made it onto here. Still, it’s a worthy release. Opener “March to Heaven” might be the poppiest thing they ever did, and it manages to strike an excellent balance between freakish and melodic. Much of the rest relies more on charm and atmosphere than hooks, but there are hooks there, if you look closesly.

“Crickets” actually sounds like a classic 70s prog song, somewhere between Genesis and Comus. “Old Mean Ed Gein”, about a teen’s rebellious fascination with serial killers, is one of the best. “Leroy”, the single, unfortunately is a novelty song without too much going for it musically. Amusingly creepy, though.

Brother to filmmaker Charles Band and son to veteran producer Albert Band, Richard Band is often similar to other film composers like Robert O. Ragland and Lalo Schifrin.

The Band family has had a history of filmmaking. Richard's brother Charles, became a known executive producer when he founded Empire Entertainment. Richard decided to take on making music for films for numerous production companies like Paramount, Universal, Film Ventures International and 20th Century Fox.

During the mid eighties he scored music for all of his father's and brother's horror films including Re-Animator (1985), _Dolls (1986)_, Troll (1986) and From Beyond (1986). After his brother's company collapsed, Band worked with numerous other filmmakers, and then returned to work for his brother and father in the early nineties. Richard Band's music scores are unique and fascinating and he has done music for over 50 motion pictures to date. The Fibonaccis were an art rock group from Los Angeles. The members were Magie Song (vocals), Ron Stringer (guitar and bass), John Dentino (keyboards), and Joe Berardi (drums).

Rather like Siouxsie & the Banshees, the Fibonaccis were intelligent and technically accomplished musicians who explored dark themes, but they did so in a more cartoonish and satirical fashion. Their rendition of Bernard Herrmann's theme from Psycho was a favorite in concert. Their bizarre cover of Jimi Hendrix's 'Purple Haze' is preceded by a snippet from a jailhouse interview of Charles Manson.