: / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / Now you can own your favorite classic television programs! TV never looked so great! By During the 1960s, the Bozo the Clown show was a mainstay of children’s programming.

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While there were several different men playing Bozo in various TV markets across the United States, only one actor was the national face of the whacky but good-natured clown. He was radio and TV announcer actor Frank Avruch. The Boston-based Avruch was personally selected for that distinction by entrepreneur Larry Harmon. A tireless Bozo franchise machine, Harmon made the decision to syndicate the series to exercise greater quality control over his ultra-profitable empire.

When the Boston series became highly successful, Harmon made Avruch the primary Bozo. The Boston Bozo show ran from 1958 to 1970, but most episodes are lost. In total, 130 episodes were filmed for syndication and ran for years across the country. (Only 60 shows of those survive on DVD, compiled by Harmon, who died in 2008.) A member of the Massachusetts Broadcasters Hall of Fame, Frank Avruch, now 84, lives in suburban Boston.

He maintains a web site,, where fans may read his recommendations for the best of Boston nightlife – and where they may also purchase an autographed photo of Bozo. Avruch spoke to TVparty!

In August of 2010, at the time that Harmon’s posthumous memoir, The Man Behind the Nose, appeared. The following is an edited version of the two-hour conversation with TVparty! Correspondent and Boston native Jay Blotcher.

Jay Blotcher: I wanted to start with your beginnings in television. Did you always want to have a career in television?

Or did you fall into it? Frank Avruch: No, originally I wanted to go into the theatre. I did it while I was in high school and won all kinds of awards and spent a season in summer stock. JB: And where was summer stock? Frank Avruch: In Gloucester, Massachusetts.

Quantum Chemistry 2nd Edition Donald Mcquarrie Chemistry on this page. The Gloucester School of the Theatre And that was 1945. I think, [laugh], we went there because they needed male actors. [laugh] And so they gave out scholarships so you didn’t have to pay – this was where most people that didn’t have the experience would be an intern and they’d just work there. JB: How many shows were you involved in that year?