SPOILER insofar that an attempt is made to interpret the end of the film. If John Bunyan's The Pilgrim's Progress' is the greatest work of road literature, Theo Angelopoulos's 'Landscape in the Mist' deserves similar status among road movies. A hard film to watch but an unforgettable experience. I was deeply moved by the damage done to these children in the raw, emptiness of the world of this film. Running away through Greece to seek out their theoretical father in an imagined Germany, they experience confusion, violation and epic indifference to their real and imagined needs.

Momentary relief and hope is found in the form of a young man traveling with a theater company, but it is fleeting. The sheer simplicity of their need remain together and to go to Germany is, by the end, all that they have. Angelopoulos, like other artists/poets/philosophers in film, has a very specific vision of the world which he is relating.

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There are moments in Landscape In The Mist where our trained needs for (Hollywood) film conventions, story structure and even simple answers cries out. Yet this is far from his intent; as with poetry, the film strives to state itself with images and ideas which leave the viewer not simply awed by beauty but also perplexed and emotionally disorganized as to how or what to to feel. To judge Angelopoulos on the same standards as a showbiz product is to miss the point. He believes film is art and not necessarily entertainment.

One may dislike that vision but one will invariably be enriched by the journey if one can spend the time watching it with an open mind. Angelopoulos finds funding for his films and makes them for those who care to extend themselves into someone else's vision, not to reward investors by meeting a market need. He is a powerful artist. There are reasons why his films are not well known in the US, but those reasons are also what makes them fascinating, brilliant and rare experiences.

I saw this movie when it was playing in Berkeley in 1990. This is one of the most beautiful and haunting films I have ever seen. Filled with scenes of mythic beauty and magical realism. Hawaii Drivers License Road Test Points here. It is, on the surface, about two siblings search for their father, but it is also about the search for something both less obvious and more universal.

It haunted my dreams for months and some of the images in this film have stayed with me to this day. If you are of a philosophical bent and are open to the experience, I believe you will enjoy this film very much. Seen the movie in HK International Film Festival over 16 years ago and still could not stop crying whenever I think of the kids in the movie. Be prepare for a sad story. Yet, the whole movie was filmed so artistically and many scenes are so creative (esp. At the age of the production.) This is the only movie still linger in my brain from time to time. Download Edjing Pro Apk. Still miss the kids in the movie and wish to be there to get them out of the difficult situations.

It is the power of the movie, the power of the director/writer, the little actress and actor. No more description can replace the movie itself. To fill up lines - being a mom of 2 now after the years, I miss the kids in the movie even more. Every once in a while a great film comes along which seems to transcend the medium, to give one faith in the movies, even hope that everything on this planet is not futile. LANDSCAPE IN THE MIST is such a film. Gre Psr 295 Software Companies. It has garnered a great deal of critical acclaim wherever it has been shown and a top prize at the 1988 Venice Film Festival. LANDSCAPE IN THE MIST is the story of two Greek children, 11-year-old Voula and her 5-year-old brother Alexander, who wander across the start Greek winter landscape as they attempt to make their way, by train and by other means, to Germany.

It is almost a mythic quest to find their father, who in reality does not even exist. Around this delicate framework, Angelopoulos has fashioned a work of soaring lyricism, a film of magniloquent majesty, a haunting poem that moves us to the depth of our souls. As with the work of some other great directors like Bergman, Kurosawa, Rossellini, Bresson and Antonioni, Angelopoulos' films require an especially intense effort on the part of the audience not often required or inclined to give itself so fully to a movie that even the consumption of popcorn seems an obscenity. Credit has to be given also to the photography of Giorgos Arvanitis and the impassioned musical backdrop of Eleni Karaindrou who would receive such acclaim for her score for Angelopoulos' subsequent ULYSSES' GAZE. Tonino Guerra, one of Fellini's constant scriptwriters, collaborated on the script. This is not Angelopoulos' masterpiece (as the DVD would like one to believe), but there are still sequences of enormous beauty and emotion (even if some seem more contrived than organic).